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Orpheus enters the underworld and his music makes Hades’ heart grow two sizes. Eurydice dies after stepping on a snake at the end of the first paragraph. It’s what Vonnegut would chart as an existential twist on the boy-meets-girl formula. Among its yarns is what is likely the most widely circulated version of the story of Orpheus and Eurydice in our own doomed civilization. Pages 102-105.Įveryone’s treasured childhood guide to the morally gray fables of a doomed civilization. Ingri and Edgar Parin d'Aulaires' Book of Greek Myths. In Sanskrit, the same, but also a verb, meaning “to toil.”ĭ’Aulaire, Ingri and d’Aulaire Edgar Parin. In English, a noun, meaning a place of religious retreat, traditionally in India but now found in the west as well, where an individual may go to work toward their goal in a disciplined manner, be that goal tangible, spiritual, or both. "ashram, n." OED Online, Oxford University Press, December 2020, Accessed 11 January 2021.
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For more information about how to stop the spread of COVID-19, please visit the CDC website. The one who did not avoided contact with others (which came very naturally to him) and was regularly tested over the course of the three month period in which this album was recorded, receiving a negative result each time. Three out of four of the musicians appearing on this record shared a living space. Participating musicians maintained a distance of six feet and wore masks whenever possible (although we did learn the hard way that it is extremely difficult, though not impossible, to play a brass instrument through a mask). To minimize potential exposure, as few people played as many instruments as possible. This album was produced in accordance with the CDC and WHO guidelines to minimize the spread of the SARS COVID-19 virus. Special thanks to Tess Enright for making the rainstick we used on this album as a school project in fourth grade. Special thanks to Diana Blais for lending me two of the wine glasses they got from Becca to play on this album. Special thanks to Shesh Batni for his creative input on the final arrangement of track 6. The selection is from “Andante con moto,” the third of Brahms’ 3 Intermezzi.Ĭover photo is from the Library of Congress, and shows Wheaton Plaza, Christmastime 1965. The sample on track 13 is a digitization of an analog recording of a reel to reel tape of my grandmother Angela Enright’s senior piano recital in Florence, Italy, sometime in the late 1950s. Lee Reber (trumpet on tracks 2, 5, and 7) String and horn parts (tracks 2, 5, 7, 8, 11,12) were transcribed and arranged by Ananth Batni.Īeryn Goldstein (trumpet on track 2, trombone on tracks 5 and 7) Recorded at Pretty Good Studios in Bowie, Maryland, November 2020-January 2021īass (tracks 2, 5, and the bridge of track 11)Ĭello parts on tracks 1 and 4, piano parts on tracks 5 and 6, and veena parts on tracks 3 and 4 were finessed by Ananth Batni.